Coming very soon….Dr Maria Walls, interdisciplinary fine artist and writer, writes about the work of artist Marie Le Lievre, whose work features on our beautiful front cover.
“There is a flash of live energy, an atmosphere of announcement, which must surely reflect Le Lievre’s own sense of defiance in making such work. These paintings are such essential reductions – intrepid colours, audacious shapes – yet all the elements unite to spawn knotty emotion.”
Charm Lore (Panel) graphite, oil, gesso. ink on wood panel 600 x 600mm
Thanks to all of you who’ve entered our short story competition. Our judge, Eileen Merriman, is enjoying reading your writing.
To those still working on their stories, we’re looking forward to receiving them. Remember, there is no limit on the number of entries you can submit. For more information do look at our competition page and get writing!
The takahē team have been hard at work over the past couple of months and we are very excited to bring Issue 91 your way in a few weeks time, including new work from poet Doc Drumheller.
Well-known for his performance poetry in Aotearoa and overseas, Doc has worked in award-winning groups for theatre and music and has published 10 collections of poetry. He lives in Oxford, where he edits and publishes the literary journal Catalyst.
Here’s what he has to say about his new work in takahē – “Travel inspires many of my poems and these were all composed in pocket notebooks while I visited Sofia, Paris, Berlin, Mexico City and Guanajuato, during several poetry tours with performances at international poetry festivals, conferences, and cultural events. ”
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Issue 91 is coming your way soon and we are very pleased to include an essay by Alie Benge, a winner in this years Landfall Essay Competition
Here’s what judge, David Eggleton had to say about Alie’s winning essay.
“Alie Benge’s essay, ‘Shitfight’, which is about raw army recruits in Australia being prepared for a theatre of war in the Middle East, has a physicality and dynamic urgency to it that stopped me in my tracks,” says Eggleton.
Tempted to read more – not long now.
We’re lucky enough to have Eileen Merriman judging the Takahē Short Story Competition 2017. Novels aside, her short fiction has been widely published and commended, and appears with prodigious frequency in the Sunday Star-Times Competition, among others. Of course we want to know exactly how she does it.
“The first draft is crap,” she said in a recent interview. It’s something she learned early on in her writing career. See? I told you we were lucky to have her. She knows exactly how much hard work will be going into all the entries to this year’s competition.
If you’re after inspiration for your Takahē entry, read Eileen’s second-placed Bath Flash Fiction Award story, This Is How They Drown. It’s unmissable for its summer-fresh prose and mastery of tension. And don’t miss Artichoke Tears right here in Takahē, for its innovative structure and enduring bittersweetness.
Or, if you’re brewing fresh coffee and stretching your back before launching into another draft before the November 30th deadline, take heart. As Eileen says, “Writing is like anything – you need to put in the hours.”