Entries are now open for the 2019 takahē Short Story Competition, and we’re all a flutter to welcome writer and artist Nod Ghosh as judge.
Nod is a prolific writer, having graduated from the Hagley Writers’ Institute in 2014, she already has an impressive list of awards and publications to her name, along with two years’ associate editing Flash Frontier. This year, between creating artworks like Snake (featured here), she found time to launch her debut flash fiction novella, The Crazed Wind.
We’ve also been lucky enough to have Nod’s work in the pages of takahē. Most recent was Muscle, in t93, which begins:
The screams. It’ll be the screams that finish me off.
And back in t87, Nod was our guest fiction writer, gifting us horse, starting with the haunting line:
i only ever saw horse cry once.
It’s not only the start of Nod’s stories that so evocatively imaginative. Reading her work feels at times like being caught in a psychedelic whirlwind, with time and sensation whipping past almost before we can catch them. There’s the science-spiced tale of the Shapeshifters on the Bus, the speculative joy of The Cool Box, and the sensual intensity of Seven Lesbians and a Bar of Soap.
The Crazed Wind continues pushing boundaries, beginning with the story They Have a Different Heaven, set in a dreamscape in which the narrator is following their father, when suddenly:
He turns a corner and becomes younger. There are remnants of sunshine on his skin, his hair, even though the dusk has turned the ground a midden brown. I follow the boy who is to become my father.
There’s such a richness in the world of Nod’s writing, it feels as if you could dive in anywhere and find a treasure.
So if you’ve got a strange story hidden away – a odd hybrid, something grown from truth and twisted into fiction, something that seems to talk about one thing while whispering incessantly about another, something layered, something funny, something surprising – Nod may well be your ideal reader.
See the Competitions page for full entry details for the 2019 takahē Short Story Competition.
Entries are now open for the 2018 Takahē Monica Taylor Poetry Prize. This year’s judge is outgoing poetry editor and current Randell Cottage Writer in Residence, poet, novelist, and short story writer, James Norcliffe. As begins his glittering poem, trapeze:
the thrill is in the possibility...
All poems entered are considered for publication, and for the winner we have a $250 prize and publication in takahē 94, our December print issue.
But the chance will be gone in a sequined flash (entries close Friday 31st August 2018).
We’re lucky enough to have Eileen Merriman judging the Takahē Short Story Competition 2017. Novels aside, her short fiction has been widely published and commended, and appears with prodigious frequency in the Sunday Star-Times Competition, among others. Of course we want to know exactly how she does it.
“The first draft is crap,” she said in a recent interview. It’s something she learned early on in her writing career. See? I told you we were lucky to have her. She knows exactly how much hard work will be going into all the entries to this year’s competition.
If you’re after inspiration for your Takahē entry, read Eileen’s second-placed Bath Flash Fiction Award story, This Is How They Drown. It’s unmissable for its summer-fresh prose and mastery of tension. And don’t miss Artichoke Tears right here in Takahē, for its innovative structure and enduring bittersweetness.
Or, if you’re brewing fresh coffee and stretching your back before launching into another draft before the November 30th deadline, take heart. As Eileen says, “Writing is like anything – you need to put in the hours.”
A huge thank you to all the entrants and all the very best for the competition.
Results will be published online in April 2017.
The winning essay will be published in our online issue (takahē 90) in August 2017.
All entries will be considered for future publication, and will be notified by 1 May 2017.
Take care, keep safe, keep writing and keep reading (especially our blogs!)